Ultimately, the Supreme Court found that there was not enough proof to support Kane’s claims and the case was thrown out. Jones herself was not present for the court case. Although many people denied that animation was not inspired by her there was. A since-lost screen test of Jones was presented by the defense team. The iconic cartoon character Betty Boop was inspired by a Black jazz singer. In fact, scatting as a whole was a Black innovation, as jazz was born from ragtime, spirituals and the blues.īetty Boop was voiced by a number of women for the animated series, including Marjorie Hines, Mae Questel and Ann Little.ĭuring the trial, Jones’s manager, Lou Walton, claimed Kane had been in one of the clubs where Jones sang and subsequently incorporated scatting into her own performances. She believed her essence was being lifted without credit-but it was alleged that the singing act she had been cultivating was built around one of Jones’ 1928 nightclub performances. Upon the release of Betty Boop the cartoon, Helen Kane, a white singer and actress, sued Max Fleischer and Paramount Publix Corporation, the person and company behind it, for $250,000.
She was known for her “baby” style of singing and “boop” scatting. The archetype for the Betty Boop character was created in 1930 (while the actual cartoon flapper was first showcased in 1932) and the singing style sounded like that of Esther Jones, a child vocalist who performed during the Harlem Renaissance. Watch our ESSENCE After Dark conversation with the City Girls here. (Photo by Bennett Raglin/Getty Images for BET) Henson speaks onstage at the BET Awards 2021 at Microsoft Theater on Jin Los Angeles, California. LOS ANGELES, CALIFORNIA – JUNE 27: Taraji P.
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